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《喜剧人物》 Personnages de Comédie

 

弗拉的献手稿

 

巴比·治;弗拉·伯特;《喜人物 巴黎: 1922年。

售价:15,000

 

书为巴比和施耐德合作的精美,巴比尔铅名版,限量150部。

巴比最重要的作品之一,只有他的《博尼乌尔之旅》可与之媲美。其中,阿伯特·弗拉1914年的文本以世界戏剧大角色点,弥漫着漫无边际的沉思,造着半梦半醒的氛巴比的插图虽戏剧表演的主关,但他大多数作品,更是具有美装的构例如1916年的一一幅作品。

 

·巴比1882-1932)是装饰艺术的最的装饰设计师,他的艺术以人体中心,展示了上千种不同的景和服装。正如瓦莱里写的那,他有将神过图像表出来的能力,种能力文字表达所无法相比的。

 

限量版,以奥朗德印刷的150本之一(此本24),巴比尔亲;尺寸4开本(37x29厘米); 伯特·弗拉的献手稿,施米德按照巴比的插画所制作的12幅全2幅半彩色木刻版画,弗拉特的文本有装饰图,包括、首字母、文末装大理石的装饰书衣、装帧为深色摩洛哥羊皮,封面有版画

 

 

With a Manuscript Dedication Poem by Flament

 

BARBIER, George; FLAMENT, Albert.   Personnages de Comédie Paris, Meynial, 1922.                                                       

£15,000 [ref: 99732]

 

A fine copy of this important collaboration between Barbier and Schmied, from the edition limited to 150 copies, signed by Barbier in pencil.

 

One of the most important works by Barbier, rivalled only by his Le bonheur du jour. Albert Flament’s text of 1914 is a diffuse meditation, half-waking and half-dreaming, which takes as its point of departure the great roles of world theatre. Barbier’s vignettes have a general relevance to the theme of acting, but most of his plates, at least one of which dates from 1916, are simply magnificent decorative compositions.

 

George Barbier (1882-1932), was the supreme decorative designer of art deco, whose art centred on the human figure, displayed in a thousand different settings and costumes. He had the faculty, as Valéry wrote, of embodying myth through images in such a way that workers in mere words could only look on in awe.

 

Limited edition, one of 150 copies on Vélin de cuve de Hollande (this numbered 24), signed by Barbier; 4to (37 x 29 cm); manuscript dedication poem by Albert Flament, 12 full-page and 2 half-page colour woodcut engravings by Schmied after Barbier, text by Albert Flament with decorative devices, borders, initials and tail-pieces, gilt detail; illustrated wrapper with marble background, modern dark morocco blue with large gilt pictorial block to upper cover.  Ritchie 11; Carteret IV: 157. Paris: Meynia

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